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Copyright
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31.
Many annotated links to sites that deal with plagiarism and copyright. Has special sections for instructors and students.
32.
Liz Lightfoot reports that British universities have reported a huge rise in plagiarism among students who take material from the internet and present it as their own. A survey of universities found 1,600 cases this year. (The Telegraph 17 July 2003)
33.
David G. Savage writes "For copyright holders from the early 20th century, it was simply a matter of doing the math: An author of a book published in 1927 would have the exclusive rights to the work for 28 years, as well as the right to extend the copyright for another 28 years. However, by 1983, the book - or song or movie - would slide into the public domain, its 56 years of protection having expired. But that deadline never came. Congress repeatedly extended the copyrights, first for short periods and, most recently, for an extra 20 years. And that applied to all works, whether or not the owners or their heirs had any interest in extending the copyrights of long-forgotten novels or tunes." (ABA Journal.com 7 October 2002)
34.
Lawrence Lessig argues against the extension of copyright in the United States. (CIO INSIGHT 12 December 2002)
35.
The U.S. Copyright Office report on "orphan works" copyrighted works whose owners afre difficult to trace. (January 2006).
36.
Report of a Study by the American Association for the Advancement of Science authored by Mark S. Frankel, Ph.D. This new report is the result of a AAAS project that examined intellectual property issues associated with electronic publishing in science.
37.
Taiwan has turned down a U.S. demand to extend copyrights on works including earlier Walt Disney movies for another 20 years as negotiators on both sides held talks on intellectual property rights.(The Mercury News 11 October 2002)
38.
From the Copyright Office of the Library of Congress, an animated website for schools about copyright.
39.
A most comprehensive guide for New Zealand librarians.
40.
Jonathan Zittran explains why we should care who gets the merchandising deal from a movie or the song tie-in on a variety show. (The Darwin Observer September 2003) BY JONATHAN ZITTRAIN
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